Korean War MiG-15 Communist Jet Fighter

Korean War MiG-15 Communist Jet Fighter In the immediate wake of World War II, the Soviet Union captured a wealth of German jet engine and aeronautical research. Utilizing this, they produced their first practical jet fighter, the MiG-9, in early 1946. While capable, this aircraft lacked the top speed of the standard American jets of the day, such as the P-80 Shooting Star. Though MiG-9 was operational, Russian designers continued to have issues perfecting the German HeS-011 axial-flow jet engine. As a result, airframe designs produced by Artem Mikoyan and Mikhail Gurevichs design bureau began to outpace the ability to produce engines to power them. While the Soviets struggled with developing jet engines, the British had created advanced centrifugal flow engines. In 1946, Soviet aviation minister Mikhail Khrunichev and aircraft designer Alexander Yakovlev approached Premier Joseph Stalin with the suggestion of buying several British jet engines. Though not believing that the British would part with such advanced technology, Stalin gave them permission to contact London. Much to their surprise, the new Labour government of Clement Atlee, which was friendlier towards the Soviets, agreed to the sale of several Rolls-Royce Nene engines along with a licensing agreement for overseas production. Bringing the engines to the Soviet Union, engine designer Vladimir Klimov immediately began reverse-engineering the design. The result was the Klimov RD-45. With the engine issue effectively resolved, the Council of Ministers issued decree #493-192 on April 15, 1947, calling for two prototypes for a new jet fighter. Design time was limited as the decree called for test flights in December. Due to the limited time allowed, designers at MiG elected to use the MiG-9 as a starting point. Modifying the aircraft to include swept wings and a redesigned tail, they soon produced the I-310. Possessing a clean appearance, the I-310 was capable of 650 mph and defeated the Lavochkin La-168 in trials. Re-designated the MiG-15, the first production aircraft flew December 31, 1948. Entering service in 1949, it was given the NATO reporting name Fagot. Principally intended for intercepting American bombers, such as the B-29 Superfortress, the MiG-15 was equipped with two 23 mm cannon and one 37 mm cannon. MiG-15 Operational History The first upgrade to the aircraft came in 1950, with the arrival of the MiG-15bis. While the aircraft contained numerous minor improvements, it also possessed the new Klimov VK-1 engine and external hardpoints for rockets and bombs. Widely exported, the Soviet Union provided the new aircraft to the Peoples Republic of China. First seeing combat at the end of the Chinese Civil War, the MiG-15 was flown by Soviet pilots from the 50th IAD. The aircraft scored its first kill on April 28, 1950, when one downed a Nationalist Chinese P-38 Lightning. With the outbreak of the Korean War in June 1950, the North Koreans began operations flying a variety of piston-engine fighters. These were soon swept from the sky by American jets and B-29 formations began a systematic aerial campaign against the North Koreans. With the Chinese entry into the conflict, the MiG-15 began to appear in the skies over Korea. Quickly proving superior to straight-wing American jets such as the F-80 and F-84 Thunderjet, the MiG-15 temporarily gave the Chinese the advantage in the air and ultimately forced United Nations forces to halt daylight bombing. MiG Alley The MiG-15s arrival compelled the US Air Force to begin deploying the new F-86 Sabre to Korea. Arriving on the scene, the Sabre restored balance to the air war. In comparison, the F-86 could out dive and out turn the MiG-15, but was inferior in rate of climb, ceiling, and acceleration. Though the Sabre was a more stable gun platform, the MiG-15s all-cannon armament was more effective than the American aircrafts six .50 cal. machine guns. In addition, the MiG benefited from the rugged construction typical of Russian aircraft which made it difficult to bring down. The most famous engagements involving the MiG-15 and F-86 occurred over northwestern North Korea in an area known a MiG Alley. In this area, Sabres and MiGs frequently dueled, making it the birthplace of jet vs. jet aerial combat. Throughout the conflict, many MiG-15s were covertly flown by experienced Soviet pilots. When encountering American opposition, these pilots often were evenly matched. As many of the American pilots were veterans of World War II, they tended to have the upper hand when facing MiGs flown by North Korean or Chinese pilots. Later Years Eager to inspect the MiG-15, the United States offered a bounty of $100,000 to any enemy pilot who defected with an aircraft. This offer was taken up by Lieutenant No Kum-Sok who defected on November 21, 1953. At the end of the war, the US Air Force claimed a kill ratio of around 10 to 1 for MiG-Sabre battles. Recent research has challenged this and suggested that the ratio was much lower. In the years after Korea, the MiG-15 equipped many of the Soviet Unions Warsaw Pact allies as well as numerous other countries around the world. Several MiG-15s flew with the Egyptian Air Force during the 1956 Suez Crisis, though their pilots were routinely beaten by the Israelis. The MiG-15 also saw extended service with the Peoples Republic of China under the designation J-2. These Chinese MiGs frequently skirmished with Republic of China aircraft around the Straits of Taiwan during the 1950s. Largely replaced in Soviet service by the MiG-17, the MiG-15 remained in many countries arsenals into the 1970s. Trainer versions of the aircraft continued to fly for another twenty to thirty years with some nations. MiG-15bis Specifications General Length:  33 ft. 2 in.Wingspan:  33 ft. 1 in.Height:  12 ft. 2 in.Wing Area:  221.74  sq. ft.Empty Weight:  7,900 lbs.Crew:  1 Performance Power Plant:  1 Ãâ€" Klimov VK-1 turbojetRange:  745 milesMax Speed:  668 mphCeiling:  50,850 ft. Armament 2 x NR-23 23mm cannons in lower left fuselage1 x Nudelman N-37 37 mm cannon in lower right fuselage2 x 220 lb. bombs, drop tanks, or unguided rockets on underwing hardpoints Selected Sources Warbird Alley: MiG-15Aviation History: MiG-15Military Factory: MiG-15 (Fagot)

Television and the Present Perfect Tense

Television and the Present Perfect Tense Television and the Present Perfect Tense Television and the Present Perfect Tense By Maeve Maddox Autumn writes: Ive been wrestling with the title of a new Food Channel show called The Best Thing I Ever Ate.   I cant put my finger on it, but this sounds incorrect to me   . . . what is it thats throwing me off? Autumns grammatical instincts are correct. There is something not quite right with the name of this cooking show. The best thing I ever ate is idiomatic, but its not a formal English construction. The simple past, ate, is used to describe an action that took place at a specific time. For example: The best thing I ate while I was in Greece . . . Actions that occur at some unspecified time before the present are described with the present perfect: The best thing that I have ever eaten . . . The present perfect may be used with unspecific modifiers: ever, never, once, many times, several times, before, so far, already, yet, etc. It may not be used with modifiers that indicate specific times: yesterday, last week, when I was young, etc. The formal version of The Best Thing I Ever Ate would be The Best Thing Ive Ever Eaten. But would it sell? Fuller descriptions of the uses of the simple past and present perfect can be found here: Simple Past Present Perfect Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Grammar category, check our popular posts, or choose a related post below:Program vs. ProgrammeTelling a Good Poem from a Bad OneWhat is an Anagram?

Organizational Change Paper Essay Example | Topics and Well Written Essays - 1000 words - 1

Organizational Change Paper - Essay Example Organizational psychology therefore is critical for the success and failure of the organization as its impact on achieving the desired level of performance from the employees is really significant. Historical roots of organizational psychology indicate that this discipline started as an off-shoot of industrial psychology and it is still considered as a part of it. However, over the period of time, the subject has evolved and included many new dimensions to the field of business management. What is also significant to understand that organizational psychology brought about a scientific approach in the field of business management? By linking the research with that of the organizational behavior, this discipline has basically opened new ways of understanding the human behavior in formal organizations and how that behavior can actually be modified to achieve the organizational objectives. The development of organizational psychology seems to be the result of multitude of factors which contributed to the development of this subject. The combination of external as well as internal factors led to the belief that psychology can be applied to solve the problems of the businesses and as such a new discipline of organizational psychology started to emerge. This definition indicates that the organizational psychology deals directly with the individual as well as group behaviors under the formal organizational environment and as such focus on exploiting and researching the behavior under different and variable circumstances so that it can be modified to achieve the strategic objectives of the firm. The work of Katz and Kahn further explored the idea of organizational psychology and concluded that organizational psychology is all about patterned human behavior because only patterned human behavior can allow a structure to evolve and as such under this formal structure

Brand Equity Essay Example | Topics and Well Written Essays - 1000 words

Brand Equity - Essay Example Attrition can quickly set in, rendering them vulnerable to competition. "Consumer-based brand equity is defined as the value of a brand signal to consumers." (Swait 1998, p. 7) . For Marcoms, once again, proactive commitment to customers separates successful companies from the rest. Because positive equity is so critically important an element of customer loyalty, operational flexibility and value innovation are especially meaningful here. Earlier, the lack of customer loyalty in the supermarket industry was discussed, with real equity being quite elusive for most chains (see appendix 1). At the heart of Marcoms equity package is providing convenience, quality, a variety of services, for customers who want it and who will pay more to get it. It is a premium service identified as such by customers because it delivers more. The equity pressure for companies like Marcoms is that, as they continue to raise the bar on customer expectations, they must also be able to see over the bar and continue to anticipate customer needs (Boone and Kurtz 2002). There are a lot of parallels between (1) the effect on loyalty of customer self-expression and choice and (2) the old-fashioned idea of romance and courtship. Customers are fickle; romance can be fickle. Boy meets girl. Boy wins girl. Boy loves her but takes her for granted. Choice is largely driven by a customer's relationships with a service, and with the companies that offer them. It's about experience, and levels of trust and commitment, through contact with suppliers. Because, in most industries, choices are so readily avai lable, customers are increasingly less hesitant to change suppliers. When replacement is perceived as more positive than negative, they'll move on. Industries such as banking and managed care have seen this occur (see appendix 2). This must translate to positive relationships and contacts, earning and keeping customer loyalty (Crawford 2003). "This perspective on brand equity focuses on the impact on consumer utility of a brand's signal credibility, rather than on the mere clarity of the provided information" (Swait 1998, p. 7) For Marcoms, the long-term value strategy is built on creating strong relationships with customers and anticipating their requirements. A significant new challenge is emerging with regard to value. Companies must now strategize with respect to both the physical product and the "virtual" product, such as information. Overlaps in physical and virtual product occur in many industries, particularly those where a tangible product, such as an automobile, and an int angible product, such as service advice or computer-based information support, coexist. Emancipated thinking and embracing the "possible shapes of things to come" now includes strategies that go beyond reliance on the company's own resources. Increasingly, companies are seeking strategic partnerships and relationships that bring complementary strengths, provide greater customer value, and result in higher share of customer (Boone and Kurtz 2002). Marcoms can build its brand equity through advertising. Marcoms should create a positive brand image and promotes its main goals and strategies appealing to emotions and mind of consumers. Perceptions and tributes towards Marcoms brand will be

Students in AP World History Essay Example for Free

Students in AP World History Essay Students in AP World History are expected to be able to write three different types of essays: a document-based question (or DBQ), a change-over-time essay, and a comparative essay. You can probably gather from the names what you need to do in each essay – the document-based question provides you with a set of documents on which to base your essay; the change-over-time essay asks you to analyze the changes and continuities that occurred within a certain period of time; and the comparative essay asks you to compare and contrast two episodes, cultures, religions, or other historical phenomenon from a given period. Writing a thesis for an AP World History essay is a little different from other theses you may have learned to write in English or Oral Communications. Luckily, there is a basic format you can use for each of the three essays. The key to writing a good AP World History essay is to tell the reader what you are going to talk about before you talk about it. The AP World History Exam refers to this as your thesis. The scoring rubric (the guidelines readers use to score your essays) requires readers to answer the following questions about each of your essays: †¢ Do you have a comprehensive, analytical, and explicit thesis? †¢ Is your thesis acceptable? So how does a person write a comprehensive, analytical, and explicit thesis? What needs to be included? What is an â€Å"acceptable† thesis and what is an â€Å"unacceptable† thesis? Put simply, an analytical thesis will use specific details that will allow the reader to understand exactly what you are talking about. A good thesis is never just one sentence; it is a group of statements. Therefore, you will start with a general sentence, but you have to then follow it up with additional sentences that provide all the necessary elements described above. Together, these statements must †¢ restate the prompt and define terms, context, and chronology of events under discussion †¢ address each part of the question (include both a similarity and a difference or both a continuity and a change) †¢ Make a transition statement to the body of the essay with a sentence like â€Å"The historical evidence would indicate that † A strong analytical thesis will serve as a â€Å"road map† for the remainder of your essay and show the reader that you are on target with answering the question. The Prompt Each AP World History Essay exam will have a prompt, or question, that you will write on. An example of a prompt would be this: Compare the economic, social, and political characteristics of ancient Mesopotamia and ancient Egypt. The first thing to remember is that when it says â€Å"compare,† what the prompt really means is for you to both â€Å"compare† and â€Å"contrast. † AP exam readers will expect you to know this! You will need to note both similarities and differences. The Thesis The first sentence of your thesis should be a restatement of the prompt. Before you begin writing, you should first underline important information in the prompt. In the sample above, you would want to underline the words social, political, economic, ancient, Mesopotamia, and Egypt. You will then use those words to create the first sentence of your thesis. Here is how that might look: â€Å"Two ancient civilizations, Mesopotamia and Egypt, created complex societies with distinct social, political, and economic characteristics. † The second sentence of your thesis should address both a similarity and a difference. You will simply list them in the thesis. Do not analyze them. Save them for analysis later in your paper. Here is how your second sentence might look: â€Å"One similarity is that both civilizations developed strong economies based on trade with other cultures. One difference is that the Mesopotamians traded with people across the Indian Ocean in South Asia, while the Egyptians traded with their neighbors to the south in Nubia. † The third and final sentence of your thesis should be the transition into your essay. It is here that you will help your reader get from your introduction into the bulk of what you have to say. Here is how your third sentence might look: â€Å"â€Å"The historical evidence would indicate that the two civilizations of Mesopotamia and Egypt had some subtle differences, but were, for the most part, nearly identical. †

The Baroque in Italy and Spain Essay -- Essays Papers

The Baroque in Italy and Spain The period called â€Å"Baroque† cannot easily be classified. The work that distinguishes this period is stylistically complex and even contradictory. While Baroque was born in Rome during the final years of the sixteenth century, it was not specifically Italian. Nor was it confined to religious art. While Baroque did have ties to the Counter-Reformation, it quickly entered the Protestant North where it was applied primarily to secular subjects. It would also be difficult to claim that Baroque is â€Å"the style of absolutism,† because Baroque flourished in the bourgeois Holland no less than in the absolutist monarchies. Nor do we see the turbulent history of the era reflected in Baroque art. While the seventeenth century was one of almost continuous warfare, these wars had practically no effect on Baroque imagery. It is equally difficult to relate Baroque art to the science and philosophy of the period. While a direct link did exist in the Early and High Renaissance, w hen an artist could also be a humanist and scientist, this changed in the seventeenth century. During this time, scientific and philosophical thought became too complex, abstract, and systematic for the artists to share. Still, there is a subtle but an important relationship between Baroque art and science. The complex metaphysics of the humanists, which gave everything religious, meaning, was replaced by a new physics. Human awareness of the world was continuously expanding and the cosmology of such men as Copernicus, Kepler, and Galileo broke the ties between sensory perception and science. By placing the sun, not the earth at the center of the universe, it contradicted what our eyes told us: that the sun revolves around the earth. The world... ...r more subtle. Velazquez explored the optical qualities of light more fully than any other painter of his time. Francisco de Zurbarà ¡n (1598-1664) stands out among the painters of Seville for his quiet intensity. Zurbarà ¡n worked almost exclusively for monastic orders and his most impressive baroque compositions are deeply moving for their direct and realistic approach to religious subject matter. The work of Bartolome Esteban Murillo (1617-1682) is the most cosmopolitan, as well as accessible, of any Spanish Baroque artist. His â€Å"Virgin and Child† (1675-1680) unites the influence of the Northern artists and Italians in an image that nevertheless retains an unmistakably Spanish character. Religion, politics, and philosophy all played a part in Baroque art. This interplay of passion, intellect, and spirituality make it one of the most compelling periods of Western art.

Goodyear: Aquatred

The year is 1992 and Goodyear is planning to release its new tire the Aquatred. The new tire is a premium tire which reroutes water away from the main tread making it have superior traction in wet conditions. With the launch of this tire coming up Goodyear has some challenges they need to figure out, where should they price the Aquatred? Which type of distribution model should they use? To figure this out we will first need to discuss the existing market and modes of distribution. The tire market can be segmented in three ways. The first way is by tire, either by performance or broad-line tires. Performance tires were more expensive but gave the consumer more traction and control. Another segment was by either OEM or replacement tires. OEM tires are those which are included when a new car was purchased and a passenger replacement tire are those which are bought after initial tires are worn out. The last segment was by major brand which was about 36% of the market, smaller brand which had 24% or by a private label which held a 40% share. Goodyear was a major brand and made about 65% of its revenues off of replacement tire sales, with the rest coming from OEM sales. The US replacement tire market in 1991 accounted for 8. 6 billion dollars. The Aquatred tire is to be launched in the replacement market because it would take a few years to develop a contract for OEM sales. This would be too long of a wait because competitors had their own versions of the Aquatred due to release sometime within beginning 1993. Replacement tires were distributed to consumers through a variety of ways. One way was when the tire manufacturer sold direct to large chains and wholesalers who resold the tires at retail, car dealers and other secondary outlets; this accounted for 40% of Goodyear’s sales. Another 10% of sales were sold to large chains and wholesalers who sold only to secondary outlets and did not sell retail. The rest of Goodyear’s sales were from retail outlets which made up 50% of replacement tire sales. Traditional retail outlets for replacement tires consisted of six different channels: Garage/service stations – offers auto services, sold both private and brand label tires, sales have been in decline recently due to lower cost higher volume outlets. Small independent tire dealers – have one or two locations where they sell and install tires while also offering auto services. Offer a variety of brands but make the most revenue off of private labels Manufacturer-owned outlets – owned and operated by tire manufacturers, offered one brand of tire and performed auto services. Warehouse clubs – low price with limited tire brand offering, did not offer auto services just tire installations. Mass merchandisers – retail chains which sell tires as well as other auto merchandise. Carried multiple brands and offered auto services. Large tire chains – usually had 30 – 100 outlets within one geographic region, carried many major brands and private label tires, they were low price – high volume outlets. Goodyear did not distribute its tires through all of these retail options. They only distributed their tires through independent dealers, manufacturer owned outlets and directly to government agencies. Their direct competition Michelin sold its tires mainly through large chain dealers and warehouse clubs. The small independent dealers accounted for 50% of Goodyear replacement tire sales revenues while manufacturer owned outlets accounted for about 30%. There were 4400 small independent dealers which carried the Goodyear brand, however only 2500 of these dealers were considered active by Goodyear which was only about 57%. To be considered active a small dealer must generate consistent levels of sales, maintain major Goodyear retail displays and offer the full line of Goodyear tires. A reason why only 57% of small independent dealers were active is because many of them were unhappy about how Goodyear owned about 1300 manufacturer outlets throughout the country. This gave some of the small independent dealers a disincentive to push Goodyear products. We can say this because the margins that small independent dealers averaged 28% on Goodyear tires, 25% for other major brands and about 20% for private label tires. Another reason why small independent dealers were unsatisfied was because wholesalers and large chain stores would occasionally acquire Goodyear tires and then advertise Goodyear merchandise even when they did not have any in stock. They would then sell the consumer another tire, this tactic was called the bait and switch and it found Sears on the wrong end of two law suits from Goodyear. Even though the margins for tires for independent dealers were at a pretty reasonable level they derived almost half of their revenues from auto services such as oil changes, tire rotations and minor engine work. This was because consumers buying tires often referred to it as a grudge purchase. The â€Å"average price† of a Goodyear tire in a small independent dealer was about $75 per tire. However, Goodyear and the entire industry found that its sales were much higher during promotional periods. This led to the over promotion of tires and now has left the consumers expecting some sort of deal when tires are purchased. Many of these promotions were often something like buy three tires and the fourth is free. In this case that means that 4 tires were really being sold for about $56 ($225/4 tires) compared to the $75 average. This type of marketing structure led to the expectation by consumers that they should be getting a deal on the tires that they purchase. Another sale tactic which sold tires to the consumers was a manufacturer guarantee, which would often guarantee the life of the tire between 60,000 and 80,000 miles. This made consumers feel as though they were getting a quality tire at a reasonable price, which in hindsight pushed the independent dealers to sell more of the inexpensive tires that came with the manufacturer guarantees. The Goodyear Aquatred tire was going to be released in 1992, and Goodyear needed to know how to price it and which channels to distribute it through. The Aquatred tire was to be positioned at the top of the line broad-line segment. This was because the Aquatred differentiated itself by having the â€Å"Aquachannel† which was a deep grove down the middle of the tire and channeled the water out from underneath it to avoid hydroplaning. When tested in wet conditions this tire stopped cars going at 55 miles per hour a whole two car lengths shorter than its all season tire competition. Goodyear was claiming that when the Aquatred was 50% worn it was still as effective as a brand new all season tire. The Aquatred tire was to be released with a Goodyear 60,000 mile guarantee. Goodyear’s suggested retail price of the Aquatred was $89. 95 for a black sidewall and $93. 95 with a white sidewall. Analysis – Where distribution lays right now for Goodyear, mainly small independent dealers and manufacturer outlets, it would be within their best interests to lower the price of the Aquatred tire. I know that this is a premium tire, but at the current retail prices that Goodyear is suggesting they would be positioning themselves out of their market place. Their pricing of the Aquatred tire is about $35 ($56 compared to $90) higher than a tire with a similar mileage warranty. I would lower the price of the Aquatred to somewhere in the $80 – $87 range so when there was a promotion it would reflect $60 – $65 range. This would show the consumer that the extra money is for the quality of the tire and for the enhanced safety of the passengers. Another key concept would to under no circumstances sell to wholesalers and large chains, this trend is continuing to eat away at their core channel of distribution (small independent dealers). Another thing I would do is make the manufacturer outlets stock only the full lines of Goodyear at their stores when there weren’t any small independent dealers within the region. Otherwise, I would use the manufacturer outlets to sell more of the Goodyear niche products to try not to directly compete with the nearby small independent dealers. Another way I would try to please Goodyear’s small independent dealers would be to have the manufacturer outlet’s retail prices be higher but still competitive with them. I believe that this tactic will raise the amount of active independent dealers for Goodyear up from a lowly 57%. To help the sales of the independent dealers I would run an advertising campaign that emphasized the safety of the Aquatred in harsh conditions. With the main objective of the ad saying something like ‘isn’t your family’s enhanced security worth an extra $20? ’ I would also commit more ads to the southern half of the US where there would be no need for all season tires, and more of a market for the Aquatred. I would still advertise in the north of the country, there is just more value in the south due to the lack of snow. These are my recommendations for Goodyear.

Pedro Almodovar Paper

Christiaan Respeto Pedro Almodovar Analysis Paper Pedro Almodovar is a Spanish director that is arguably the most influential Spanish filmmaker of his generation. He is known for his bold and risky story plots and characters as well as his openness to sexuality. He is very influenced by the underground lifestyles of individuals and peoples sexuality. Almodovar’s influences and history undoubtedly show through his career. Pedro was born on September 25, 1949 in Calzada de Calatrava, Spain. He lived in poverty as a child with his mother, father, brother, and two sisters.Pedro spent a lot of his time going to a local theater watching movies from all over the world dubbed in Spanish, which was the mark of passion for film. When Pedro was eight he was put into a Catholic boarding school in Caceres, Extremadura, where there was hope that Pedro would become a priest. After his education Pedro decided to move to Madrid against his family’s wishes to pursue his dream of being a film director. Pedro Supported himself working at a Spain national phone company while making short films on the side.Pedro finally gained recognition with his films â€Å"Pepi, Luci, Bom† and â€Å"Other Girls Like Mom† for their humor and expressive sexuality. Pedro gained international recognition with his film â€Å"Woman on the Verge of a Nervous Breakdown† a movie that was widely accepted for its female centered style. Almodovar had many influences in his life especially by other film directors such as Luis Bunuel, Rainer Fassbinder, Alfred Hitchcock, John Waters, Ingmar Bergman, Edgar Neville, Federico Fellini, George Cukor, Luis Garcia Berlanga, and Marco Ferreri. He is very influenced of family and deep close relationships between individuals.Pedro is also influenced by sexuality since many of his stories contained characters that are gay, lesbian, trans-gender, and have strong sexual desire. Women also seem to be a big influence in Almodovar’s f ilms since there are strong female leads and characters in many of his films. The style Almodovar uses in his films is experimenting with elements that are not mainstream in the modern film world. Almodovar is known for films that are bold and risky for they’re expressive sexuality, complex mature narrative, and presenting the underground lifestyle of junkies and crime stricken areas.The narratives in his films are very complex and mature with dark story plots that push the edge of what is accepted in modern cinema. His use of editing in his films however are very mainstream and take the classical Hollywood approach with continuity editing but, at times uses fades and text. Almodovar uses strong female characters as well as characters that are homosexual and bi-sexual. Part 2 All About my Mother Critique ‘All about my Mother ‘ is a film that expresses the power of family and sisterhood. The film tells a very deep and dramatic story with complex characters that rea lly enhance the experience of the film.Through the films editing, cinematography, and character development the film is surely one of Almodovar’s best films. The editing in the film is very classical Hollywood style with the use of continuity editing although when a large amount of time passes large text is displayed on screen to tell the audience exactly how long time has passed. The film also plays around with fades in cool ways such as when Manuela goes to watch the performance of â€Å"A Streetcar Named Desire†, Esteban’s notebook is still on screen from the last scene faded in the background as the camera pans to Manuela.The cinematography in the film is very much like a soap opera with a lot of still shots and characters really being the main focus of every shot. The film does like to pan and track characters very often. The cinematography also reminds me of classic Hollywood style which helps push the story in a continuous and satisfying way. Character de velopment is a huge and well executed in this film. Manuela was a character that really developed through the movie. When Esteban dies Manuela is a wreck that couldn’t even speak about her son with others.Over time she starts to heal little by little and tell more about her sons death. For example a great scene where it shows that Manuela developed, as a character was when she meet up with Lola to show him his son from Rosa and talks about their son who passed away. She even goes as far as to show Lola Esteban’s notebook, which she was so protective of. She also parts ways with Esteban’s picture so that Lola may have it. Overall I think this is a great film by Almodovar that kept me compelled to the very end.The film had great use of editing, cinematography, and character development that really pushed the story and experience of the film. Through it’s deep storyline and complex characters this film is definitely something I will not forget. Citation http ://en. wikipedia. org/wiki/Pedro_Almod%C3%B3var http://www. helium. com/items/310894-pedro-almodovars-influence-on-filmmaking-today http://www. rottentomatoes. com/celebrity/pedro_almodovar/biography. php http://movies. yahoo. com/person/pedro-almodovar/biography. html

Critique Marcello essays

Critique Marcello essays The Selby public library has pieces from the students from the ringling school of art and design. The piece that stood out the most was a portrait by senior, Marcello Dos Santos. It was a mixed media with oils piece, the oils being very evident. It was painted on a 5 foot high, 3 feet wide canvas that made the figure more life like, not quite life size. Life size would have taken away from the distant quality the figure had. The figure was done in a greyish-blue and hunched over with it's knees to it's chest, and it's knuckles pressed against the ground to hold it's balance. The figure's side is shown looking up, which helps your eye travel up the picture plane. The pull of the figure is so strong because of the way the knukles are to the ground, the knees are pushing into the body and the head is pulling out and away from the body. Then the background is done in a maroon color that pulls your eye away from the figure but being such a deep color pushes you right back into the figure. Then the ground is done in a pea green color that is of corse the opposite of red, but close to the blue that balances out the back, middle, and foreground. The actual detail of the figure is not shown, there is indication of muscle tone which is done in a smooth manner with the oils. Only emphasizing the muscle tone is what makes it such an eye-catching figure, besides the choice in color and technique. The sort of monotone color scheme is what makes the figure and actually whole piece have a distant quality. The basic composition of a kneeling figure to the side of the picture plane is a common choice of study. But the smooth painting style, color scheme, and variations of light and dark in the muscle tone of the figure is what made this stand out from the rest. ...

Not Selling Pull Your Book Off the Shelf

Not Selling Pull Your Book Off the Shelf One of the great advantages of indie publishing is being in control of your book. Recently a reader contacted me, asking my opinion about publishers. He was republishing a book done in 2011 that had not done well, blaming it on the vanity press. As someone ever interested in deterring folks away from those entities, I took a look at the book in an effort to assist. The cover was the best part. Beautiful. But it declined from there. The writing was chock full of grammar issues. The writing wasnt fluid. It was a memoir of sorts and wrought with the word I. The blurb was minimal and likewise full of errors. The author had no website, but worse, had not taken advantage of the Author Central page on Amazon, a freebie that every author ought to have fleshed out. As much as I abhor vanity presses and their predatory nature, I saw where they had done just what was asked of them. This was all on the author. My suggestion? Pull the book. Take it down. It hadnt sold well, so there was about used book sales keeping it active in the BN and Amazon databases.   I told him: 1) Pull the book 2) Cancel dealings with that press 3) Rewrite the book 4) Get feedback from a critique group 5) Get feedback from an editor 6) Redesign the cover 7) Acquire new blurbs 8) Acquire testimonials from those who did like it 9) Study indie publishing 10) Hire someone to format the print and digital book (although I adore Joel Friedlanders book templates)   11) Get his own ISBNs, especially if he intends to write more books 12) Use CreateSpace for print on Amazon 13) Use IngramSpark for print on non-Amazon sites 14) Use Amazon KDP for ebook on Amazon 15) Use Draft2Digital for ebook on non-Amazon sites Dont worry, this author wont recognize himself here. I get a few of these every week, asking how to proceed after a vanity press deal has flopped. Im adamant about protecting peoples privacy, but I received enough questions on this topic to warrant this weeks editorial. If you think this is you, dont let it bug you. Trust me, you have ample companionship in this dilemma. Your job now is to learn from your failures and spin it into success. Thats why we fail in the first place: to take us a step closer to doing it well.

Apple Inc Case Study Essay Example | Topics and Well Written Essays - 2250 words

Apple Inc Case Study - Essay Example Considering the market, one can say that the buyer power of Apple is mediocre. Its operations are limited to geographic areas of Americas, Europe, Africa, Middle East and Japan. However, the impact of forgetting markets like India where IT flourishes has a considerable impact on the performance of Apple. In fact, the company addresses only a single category; those who are willing to pay a premium price for high-quality technology. One has to admit that the threat of substitutes is much higher in the case of Apple, especially because of the premium price the company has set for its products. In fact, according to Marino et al. Apple enjoys ultimate superiority in personal media player industry where it offers four products; the iPod Shuffle, iPod Nano, iPod Classic, and iPod Touch. However, as a response to iTune, Microsoft has started Zune brand which offers all the features of a flash player and in addition, it allows wireless connectivity and beaming of audio and video up to 30 fee t distance. 4) The buyer power Considering the market, one can say that the buyer power of Apple is mediocre. Its operations are limited to geographic areas of Americas, Europe, Africa, Middle East and Japan (ibid). However, the impact of forgetting markets like India where IT flourishes has considerable impact on the performance of Apple. In fact, the company addresses only a single category; those who are willing to pay a premium price for high quality technology. 5) The supplier power In